Interview

2021 | Text in Russian | Read

Interview with the winners of the Nova Art 8 contest: on participation in the competition and the development of the topic| Mikhail Levin, obdn.ru

2021 | Video in Russian | See

Video interview for the Smart Wednesday project | Alexey Glazyrin, EverJazz club

2020 | Text in Russian | Read

“Relations with all participants in the artistic process should be based on mutual respect” | Tatyana Sukhareva, ArtGuide

2019 | Text in Russian | Read

“Work Never Stops”: interview about exhibition experience | Ekaterina Vasilyeva, Wall-online.ru

2018 | Text in Russian | Read

“I’m already tired of these I-stories”: The conversation with Natalia Baluta is timed to the Dust Jacket exhibition at the Typography Center for Contemporary Art | aroundart.org

2017 | Text in Russian | Read

“Contemporary art in Chelyabinsk is like an island in the finale of Solaris” | Dmitry Bavilsky, The Art Newspaper Russia


2015 | Text in Russian | Read

Photo on a hanger: an interview with artist Anastasia Bogomolova about her project Lookbook, photography and fashion | Daria Tuminas, Blueprint

2014 | Text in English | Read

In Your Shoes (and Dresses) — Kazakh Photographer Wears Her Mother’s Old Outfits from the Soviet Era | FotoRoom

Criticism

2020 | Text in English | PDF

“Bogomolova is far from the optimism of experimenters who create hybrid families with lichens, ducks and electricity. The gender-neutral body in the photographs of the Assemblage serves not as a statement of binarity, but as a neurotic breakthrough into the times beyond gender and, as a result, beyond exploitation.”

Valentin Dyakonov on the Assemblage project | The text was written based on the results of a collective interview within the “Shishim Hill” art residence

2020 | Text in English | PDF

“I prefer to reflect on this project not only in terms of its final ‘assemblage’ result - crossbreeding, a merge of two realities — but as a catalog of observations, a new herbarium.”

Olga Bubich on the Assemblage project | The text was written based on the results of a collective interview within the “Shishim Hill” art residence

2020 | Text in English | PDF

“Assemblage is a fraud project: it is easy to interpret it as an invitation to talk about physicality, femininity, or, please no, about body positivity. In fact, it is talking about the experience of a non-human language, where photography is only documenting.”

Ilmira Bolotyan on the Assemblage project | The text was written based on the results of a collective interview within the “Shishim Hill” art residence

2020 | Text in English | Read

“Anastasia Bogomolova is an artist of the archive in the most complex sense of this concept: as a mobile, ever-developing system of connections between man and things, between a researcher and an event, between memory and the history of the planet.”

“Sensual archive of a paranoid” | Alisa Sycheva, Art Platform

2020 | Text in English | Read

“In the two ongoing projects ‘Under the Dome’ and ‘Assemblage’, the artist abandons the familiar topics of memory and archive. Today she does not interpret the story of Another, but she experiences an event, invented or real.”

“Landscapisms of Anastasia Bogomolova” | Anna Legotina, Art Platform


Catalogues & Exhibitions

2018 | Text in Russian | Read

On the project “Under the Dome”: a text for the personal exhibition,  OkNo gallery | Svetlana Shlyapnikova

2018 | Text in English | Read

On the project Lookbook: a text for The Fabric of Felicity exhibition | Ekaterina Lazareva

2014 | Text in English and Italian | PDF

Оn the Recall project: text for the Bitume festival | Gioia Perrone

2017 | Text in English | Read

On the project Bakal: a text for the Garage Triennial of Russian Contemporary Art | Ilmira Bolotyan


Other

2022 | Text in English | Read

Sergey Guskov. «Time of crisis brings new self-organized artist initiatives in Russia» | Russian Art Focus

2014 | Text in Russian | Read

Evgenia Abramova. “Punch and Judy: Trickster and/or Trickster?” | Illustration by Anastasia Bogomolova for the Garage Reflections

2020 | Text in English | Read

Calvert Curated: Profile | Calvert Journal

2014 | Text in Russian | See

Like a mom: Anastasia Bogomolova’s Lookbook | Big Picture

Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
Anastasia Bogomolova — Publications about the artist
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